According to the United States Department of Labor, there were over 175,000 working musicians in 2010 in this country, and that number was expected to increase 10% over the following decade. The median pay was $22.39 an hour. Not bad, huh?
As a musician, I can attest that it's not an easy way to make a living. There are so many variables to contend with, and any job is pretty much considered temporary. However, if you have either chosen to make a living playing your instrument or you're just a weekend warrior, there are several things that you can do to ensure that you will continue to get work and tap into some of that healthy income.
We all put a lot of time, heart and soul into our chosen craft. As a musician the most important thing for us is that we get to play. But in order to get paid for what you love to do, there are many more factors to consider.
Below are some crucial yet simple guidelines to follow as an individual if you want to play in a band, make money and get consistent work.
1. Treat it like a job
Playing music is fun. It really is. There are people that can play an instrument or sing, and then there's everybody else that wishes they could. We are among an elite and selected group of the population. That's a really cool thing. If you're lucky enough to do something you enjoy AND get paid for it, you are living life the way everyone else wants to. And even though you're not punching a clock or sequestered in a cubicle, it's still a job...and it needs to be treated like one.
As with any service you render where you are provided compensation, you are under the scrutiny of your employer. Playing in a band is no exception - and it may be even more intensified than an office position. Whether you know it or not, club owners and managers are paying attention to your behavior much more than your level of skill.
Your band is hired for one primary reason - to draw customers into their establishment that will spend money on drinks. Running a club/bar/restaurant is a business just like any other. They are in it to make money. Your band has been hired in hopes that you will entertain people enough so that they stay and drink.
You're an amazing guitar player? Fantastic. It doesn't really matter. There are lots of great players of all instruments. Everywhere. All that matters to the person that hired you is what the numbers look like at the end of the night. It's not personal. You may be a virtuoso with your instrument. That's really cool, but the truth is that club owners and managers don't care all that much. They want a group of musicians that are good at their job, are easy to work with and will keep people in the room spending money. (Check out this excellent article from the club owner's point of view.)
So have fun. That's actually part of your job. The more fun you have, the more fun the crowd will have, and that gets them drinking. But always know that you are providing a service that an employer is trusting you enough with that he is willing to give you cash. It's a job. Treat it like one.
2. Be on time
This should be a fundamental practice for any job, but it's important to point out here. There are so many different things that can go wrong at a gig and you don't want to add to the possibilities by being late. A lot of people are counting on you. Not just the band, but everyone working at the venue is following a schedule - especially in bigger clubs where breaks need to be given for the staff. If you're late for the gig or late to the stage you will throw off the whole night for your employer, and that will reflect negatively on the entire band. A good practice is to be five or ten minutes early...especially to the stage. If the band goes on at 9:00, you should be on stage no later than 8:55 to make sure you're in tune, or settled in your spot, and you're ready to start playing at the proper time.
3. Learn (and remember) people's names
This is tough for a lot of people, but it goes a long way if you can make it a practice.
Anyone and everyone that is working in the venue while you're playing is an equally important part of the machine that is running a business. Don't think that you're above the doorman, bartender or even the janitor. Everyone is there to do a job - just as you are. They will almost always appreciate when you extend an introduction and treat them with respect. These are also the only people that have to be there and are forced to listen to your band whether they want to or not. So in addition to being a good player, you want to be a cool person.
I know people have a difficult time remembering names. I used to be among that group until I simply made it a priority. My little trick is as soon as they tell me their name, I repeat it back. If I continue in the conversation for at least another minute, I'll address them by their name again. When I leave the conversation, I'll say something like "Nice meeting you" and repeat their name once more. That usually helps me to remember it for the rest of the night and beyond.
Everybody wants to be recognized and feel that they matter, so when you as a musician take the time and care enough to acknowledge someone by name, they feel respected by you and usually will respond in kind.
4. Be polite to everybody
This is another fundamental policy to follow throughout life, but especially important at your gig. Bartenders, shot girls, doormen, barbacks, security, management etc. all talk to each other. If they like your band but one member was impatient about getting a beer and took it out on the bartender, everyone will hear about it and your band probably won't get booked at that venue anymore. You don't want to be the person to screw things up for everyone else. Shake hands, smile, and be cool to everyone.
5. Tip your bartenders
This is a valuable practice that will earn you and your band major points with the staff. The bartender has the most important job in the venue. They are the people that are at the center of the cash flow. And guess what? They don't usually make much of an hourly wage...if any at all. They rely heavily on tips to bring home a decent night's pay. Quite often, the tips are not only split between all of the bartenders, but they also have to cut in the doormen and/or other members of the staff. So that paltry 50 cents that you gave as a tip for your beer has to be split among several people.
If you like to drink at your gig, chances are you will make several trips to the bar since you'll be there the whole night. I make it a habit to always give more than just the standard buck each time I order something - regardless of whether my beer cost $2.50 or $6.75. Not only does this help ensure that the staff makes some money, but it also benefits me the next time I want a drink.
When you walk up to the bar, even if they don't look directly at you, the bartender sees you and knows why you're there. If you've previously given a good tip, 9 times out of 10 the bartender will make it a priority to serve you. They know that you are doing a job too, and they want to work with you.
This is especially advantageous when the bar is really busy. You'll get bumped to the head of the line if you consistently tip well. Even if you don't get served right away, don't ever get visibly annoyed. You want the bar to be busy. That's money that is eventually going in your pocket.
It also doesn't hurt to buy the bartender a drink once in a while. If you like to do shots, buy one for yourself and one for your server. Bartenders and musicians are probably the only two jobs in which you're not only allowed to drink, but you're encouraged to drink. You can establish a priceless rapport with the staff when you make the effort to be generous. The reward will far outweigh the cost of the drink.
6. Drink responsibly
As mentioned above, being a musician is one of the very few professions in which you're allowed to drink alcohol at work. It's easy to understand how one could get carried away with this privilege...and often times, people do. If you want to continue to get hired as a working musician, it's essential to drink in moderation.
This isn't to say that you can't get a healthy buzz and have fun. But if you're playing or singing is compromised by downing too many shots, if you get sloppy on stage, become rude to staff or patrons, or get so hammered that you get sick, then you will quickly get a reputation as someone who is unreliable.
So the best approach is to know yourself, your body and level of tolerance. If you can, eat a decent meal before your gig, and pace yourself properly throughout the night. When the gig is over, it's okay to pound a couple down if you want to, but just realize that even though you're done playing, you're still "at work" and you can still do damage to your reputation by going overboard.
7. Realize you are on stage and people are watching your every move
All too often I'll either be playing in a band or watching a group on stage and someone in the band is texting on their phone, or turning their back to the crowd, or just looking generally miserable.
People go out to a club because they want to have a good time, to get away from the "real" world, to hang with their friends and to appreciate live music played by talented artists. They look up to those on stage, and don't consider musicians to just be average people. Remember - people can either play music, or they wish they could.
Every single move you make on stage is being watched by somebody and people will talk about what you're doing. You have a responsibility as a performer to be somewhat bigger than life and provide an escape for those that come to see you play. So dress well, smile once in a while, and save the mundane activities like checking your phone for when you are off stage.
8. Respect your bandmates
Disagreements will happen in the middle of a gig. Someone will mess up a part or forget a lyric. It's extremely rare that things go off without a hitch at a show. It's easy to get frustrated at another member of the band while in the middle of a song, especially if you still have a long night ahead. But it's very important for longevity in your music career to "keep it off the field" as they say in sports.
As a band member, you are a part of a team that is working together for the same purpose. Continuing with the sports analogy, if a baseball player struck out, a running back fumbled twice in a row, or if a star forward fouled-out, and another player got down on the offender, it would upset the morale of the entire team.
You may be the best player in your band, or the worst, or somewhere in the middle, but it doesn't matter in the big picture. You and your mates are all in it together. Keep it positive on stage. If there is an issue that needs to be addressed, wait until a break or after the gig to talk about it and come to a resolution. Winning teams are successful because they learn that the importance of achieving the goal trumps any temporary and ultimately meaningless issues.
9. Take requests
It's an unavoidable consequence of playing in a band that people will ask you to play a song. It doesn't matter what your role is - if you're in the band then people think they can talk to you about playing the song that they want to hear. Even if the song is something that your band would never, ever play - you should still take the request.
Now, this doesn't mean that you have to play it, or even tell the rest of your band that this fan wants to hear this particular tune, but you should still take the request with a smile and gratitude. You can say things like "we'll see what we can do" or "I'll check and see if everybody knows it" or any other vague affirming variation.
Even if the patron thinks there's the slightest chance that you'll play the song that they asked for, they're much more likely to stick around, tell their friends and continue to spend money. Plus, they'll think you're cool for even considering it.
There is no harm in giving a person some hope, even if it's false hope. Your goal, and your job, is to keep people in the room drinking. There's no good reason to shoot down anyone's request and act like their wishes are unimportant.
10. Play for the song
This applies exclusively to the musicians and bands that play cover tunes. Most people in the crowd are not musicians, and many are just casual music fans. If there is a song that your band is playing that they know, they want to hear it the way they know it.
You may be able to shred like Yngwie Malmsteen on any song you play. You may be a drummer that can squeeze 16th note triplets using every drum in your kit into every other barre. Guess what? Nobody cares. Your job is not to show off how good of a musician you are. Your job is to play the song the way it was originally recorded.
Of course there is always room for some latitude and improvisation where you don't compromise the integrity of the song. But for the most part, you want to stick to the correct parts. There is a reason that these songs have been so successful and continue to work in the cover circuit (check this list of the most popular cover songs in a nightclub). These are some of the most iconic solos, lyrics, melodies and songs of the last century, and they deserve to be played with respect for the original artist and songwriter.
Again, people want to hear songs they know the way they know them. If someone is trying to sing along, yet the drummer is stepping all over the vocals with self-indulgent overplaying, it reduces the impact of what the band as a whole is trying to achieve.
A true professional knows when to play, and more importantly, when not to play. A seasoned musician has the utmost respect for space and silence. Even in sheet music, among all of the notes, there is a symbol that indicates a rest. So if you want to endure as a working musician, learn the song the correct way, and play it right every time.
11. Pay attention
It's easy to get caught up in the music or your own playing while you're on stage. The darkness and chaotic nature of a club or bar lends itself well to removing yourself from the madness and just digging into your own jamming. But because of the unpredictable nature of the job, it's imperative to pay attention to your surroundings.
I've seen guitar players that will play an entire song with either their head down or staring at the guitar neck. I've seen drummers that keep their eyes closed for most of a tune. Quite often, band members need to communicate on stage, and since it's so loud in the club, they have to rely on hand signals or visual cues. It's a good practice to always know what's happening with the rest of your band on stage. Sometimes a guitarist will break a string, and if you're playing keyboard you might need to fill in the missing part. Or a singer has forgotten a lyric, and you need to jump on the mic and cover the line, or any of hundreds of other things that can go wrong.
Things are constantly moving around in the venue as well, and it's important to keep an eye open to what's going on. It's a challenge at times to juggle your own responsibilities while still watching out for everyone else, but it's a vital part of working with a band in harmony at a gig.
12. Break down quickly
This isn't something you always need to do, but it's a good habit to get into. Sometimes when your show has ended, another band is waiting in the wings to take the stage. Nothing is more frustrating for a musician than waiting to set up and get ready for their set while someone in the band that just played has left their gear on stage to go get a drink, or talk to the crowd, or is just lazily and slowly breaking down.
If you want to be appreciated and respected by your fellow musicians, when your time is done, immediately get your things out of the way and get off of the stage. Of course, this doesn't apply if you're the last (or only) band of the night. But if there is a band that follows you, break down quickly. You're peers will appreciate it, and you'll have the added bonus of getting the work out of the way so that you can spend the rest of the night relaxing, or meeting fans, or enjoying a well-deserved cocktail.
13. Clean up after yourself
Even if no band follows you, it's a good idea to clean up your mess. Any empty beer bottles, bottle caps, cans, food wrappers, cigarette butts etc. that you were responsible for bringing to your spot on the stage should be removed by you when your set is done.
This not only will be appreciated by the band after you (if there is one), but it will be recognized by members of the staff. If there is a mess, someone has to clean it up. If you've ever been in a nightclub after the doors have closed for the night, you know that the floors get swept and mopped, all of the garbage is removed, and nobody leaves until the place is ready to open for business the following day. Why not do your part and clean up your own mess? It's just another small step you can easily take to ingratiate yourself to those that pay you.
14. Thank everyone
If you have the desire to play in a particular venue again, you definitely want to go home leaving a good impression. If you've followed all of the steps above, you'll be in really good shape. The last step to take is to simply thank everyone involved. Even if you didn't have any interaction with certain members of the staff, on your way out a quick "Thank You" goes a long way. It takes very little effort on your part and people remember and appreciate the gesture.
Shake hands with the manager and thank him (or her). Thank the bartenders, doormen, and especially the people that came to see your band and stuck it out until the end of your set (or the night). They will remember it...and you. It will also increase the likelihood that they'll come see you again the next time you play. Even if you have to force yourself, thank everyone. In the long run, you'll be happy that you did.
Thanks for reading. :)
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Tuhin Subhro Sardar from India on May 08, 2019:
Really nice and informative. Very to the point and proper post. Love it!
Ed DiMenna on May 28, 2018:
Thanks man we will keep all these tips handy .
Steve Witschel (author) from New Orleans, LA on October 03, 2016:
Andrew Lowen from Fallbrook, CA on October 03, 2016:
I like these points because many of them have to do with simply being a courteous human being. I've been in the music industry for a while, and I can't understand why so many musicians, that aren't even well known, think they're gods or something and that any venue is lucky to have them.
What happened to feeling privileged to have a musical talent and to be able to work doing what you love? I know a lot of great musicians who would get asked for a repeat performance if they'd simply answer treat people with respect and respond to texts and phone calls.
Another thing I would suggest is respecting the sound engineers they work with. Both live sound engineers and those in the recording studio. They're an invaluable part of the industry, but too often we end up at war with them because we treat them like second class citizens.
I love playing for a living and working with other cool people in the industry who aren't musicians. And I always love meeting others like that.
DaveNap on July 25, 2016:
Add onto the "No noodling" - don't play riffs of songs you're not going to play, along those lines - don't start songs you don't know how to end.
AND: mute when tuning, nobody wants to ever hear that. Bonus suggestion - use a word other than "Check" to test mic levels - there's only about a trillion other choices.
migs moril on October 16, 2015:
You have disclosure some of my secrets to be successful as a musician at a venue or event hahaha.
Just to mention, although I put in practice #12, I have found that other band colleagues "usually delay getting their things out of stage" making everybody waiting to set up the next band, unfortunately I have found this disrespectful activity very common, as a way of showing "superiority or control over others" (of course we know better) or even backwards, setting up their equipment first as a way of conquering the available space on stage even though that band is playing last.
Concerning #5, yes, I have found offen bartenders being disrespectful to musicians despite any polite manners from band members toward them, so I usually encourage a nice tip only when attention has been proper at same level as guests receive.
Rick on January 26, 2015:
Actually, in my 2 piece, as far as mistakes, we don't "keep it off the field". Part of our schtick is to insult each other, pretty cruelly sometimes. My drummer/lead vocalist has the uncanny ability to improvise a new verse into any song spontaneously, usually beating me up about a mistake I might have made during the song. I find it hilarious, and so does the crowd. He's brilliant with his spontaneous verbage. They actually wait for it. The trick is to roll with every punch. I am thick skinned, as far as my partner is concerned, because we have the highest respect for each other, having played together now for years. The mutual verbal abuse is actually why we called ourselves "The Aspersions".
James on January 04, 2015:
as a working musician for the past 30 years I do agree with all of this except tipping ...we are there to make money not spend it...thanks for the good article!
Cerulean Crayon on October 03, 2014:
Very fresh take on musician work from the inside. I once played at open mic at a local spot, and had the joy of the crowd singing along with my song...it was a highlight of my life! My instrument is flute.
Jamaal on May 29, 2014:
I agree with most of this. Too many times I had to ask my own drummers to stop noodling whilst we setup. On the cover tunes, I disagree a little. A band I was in did a different take on Steely Dan's 'Do it Again' and it went over really well. It was nothing like the original.
Paul Jellicoe from Neston, UK on March 18, 2014:
Brilliant article, all basic stuff but it can be easy to forget!
Geoff Wenzl on February 19, 2014:
And please listen to the sound engineer of the venue and the owner of the venue. We know what is best for the sound levels of the venue
Diogo Brown on February 18, 2014:
Very nice article!
LH on January 17, 2014:
Need to add "No noodling". Nothing worse than 5 guys playing 5 completely different things at the same time in between songs or when warming up. Get your sound but don't make excessive noise.
Hezekiah from Japan on January 09, 2014:
Very good info there. For me its just a job, but it would also be nice to earn from it too.
Ken Atwood on January 07, 2014:
After 47 years as a professional drummer, bassist and vocalist, I saw there were a few points that I didn't know, or that I could improve on. After playing hundreds of bars and other venues since the age of 15, (I'm now 62), the one thing I still can't stand are drunks who just won't leave the band alone. I've chased off more than one idiot over the years, and I make no apologies for it. I do like people, and I'm always sociable, but I can't STAND someone who thinks they can abuse the band, or our generally good nature. I loved the article from the bar owner's point of view as well, again seeing a few points that I don't really think much about before. I'm always good to the help, but we used to play one VFW in S. Dakota where the help were just plain mean. NOT nice at all. Thankfully, they've finally all been replaced, but I think the place doesn't have long to live, so to speak. Thanks for a great article! I know now that even an old road dog like me can learn a few things about new and old tricks!
Richard on January 07, 2014:
You forgot the most important part of business....get it in writing! A contract is good business.
Ken B on January 07, 2014:
Wow...as a singer in gigging cover bands for decades, gasp, this article opened my eyes to a few facts I never admitted were true. It's going to totally change the way I work. The letter from the bar owner was awesome!
Kathleen Cochran from Atlanta, Georgia on January 07, 2014:
Sharing this on FB with my nephew who plays in a band and works a day job. Good info.
Steve Witschel (author) from New Orleans, LA on December 12, 2013:
Thanks for reading and for your comment, Dig. I actually do mention both of those issues in the article, but I don't cover either one at length. "Good" music is subjective, and one could argue that all music is good, simply because it's music. It should also be understood that if you aren't a good musician, you'll never get nearly far enough to put these tips into practice.
Dig on December 12, 2013:
funny there is nothing in your post about making GOOD MUSIC and playing with REAL and or GOOD MUSICIANS and the growth of said music which I find to be one of the biggest obstacles of professionalism of Music and Musicians and their audiences of today
Steve Witschel (author) from New Orleans, LA on December 10, 2013:
Thanks for the kind words, Andy. I'm glad to see that you guys are still kickin' ass!
Andy on December 10, 2013:
Great article Steve. I know your a great bass player, never realized what a good writer you are as well. Although my band doesn't fit all the topics exactly I feel that most apply. We have played the tribute circuit for 10 years and always found that professionalism and common sense have served us well. It was an awesome read!!! Glad to see your sharing your knowledge and experience with others.
Trumpet player on November 14, 2013:
I don't agree with #5. If I am at a bar or cabaret playing (often for the door) I don't tip the bartenders and expect staff price. The bars staff doesn't pay cover nor tip for the own (reduced rate) drinks. Why should I tip? We are all working and no one should have to pay to work (other than cover the cost of the alcohol you drink (which shouldn't be a lot).
If I get free drink tickets, I'll throw a couple bucks the bartender's way however.
Babes Gutierrez on November 06, 2013:
Thanks Steve for these useful tips,I've been singing for 35 years now ,played with diff.bands here and abroad, and I agree with everything you wrote...Kudos to you !God bless always !
Steve Witschel (author) from New Orleans, LA on November 04, 2013:
Thanks Bob. I appreciate you and people like you that are helping to spread the word.
Bob Adamek on November 04, 2013:
I played for 35 years, mostly locally and regionally. Now in my spare time I coach a couple of high school aged rock bands, my way to give back. I can't tell you how many points you've made that are regular stops for me when making a point to the kids. However your writing summed it up so easy and on point, I intend to forward this to the kids. This is a big part of the "Book" on how to be successful. The business model has changed and if you act like an ass or entitled to a gig, there are a ton of bands waiting to take your place that follow these rules.
Steve Witschel (author) from New Orleans, LA on October 21, 2013:
Thanks John! I'm not sure what you mean by that. Are you saying that you or anyone you work with always drinks too much, or that you don't drink at all?
Johnny Rockwell Kosar from Panama City Beach, Fl. on October 21, 2013:
Great Article except I don't agree with number six. Not sure what your experience with drinking responsibly is but it never seems to work for me or anybody I've worked with.
Steve Witschel (author) from New Orleans, LA on September 03, 2013:
That's true. I was really just trying to emphasize the "when the band is working" part. I don't think I need to change the title, though. Some of the Tips are useful when the band is not working as well, so I think it's pretty accurate. I am working on a follow-up, as well as a couple more ideas. Thanks for reading and for your feedback!
Ctraynor@aol.com on September 03, 2013:
This was a decent article but the title should be amended. This list is all about being a successful member of a working band ON SHOW NIGHT but it fails to mention all of the other traits and good habits you must display in order to GET TO SHOW NIGHT AS A UNIFIED BAND. Granted, you don't want to go too far back in the story like picking a band name or deciding whether to play originals or not but still, there are some major issues that you should cover (while still being true to the theme of the article). How about a PART II which covers other behaviors to keep up front?
Randy Bushee on July 31, 2013:
All this is pretty true, but when do venue operators begin paying bands more than they were paying in 1960. Venues, especially bars still hardley pay more than $50.00 per person. Everything goes up except musician pay. Why is that???
Mark from Alabama,USA on June 05, 2013:
As a fellow working musician of 25 years I must say this is an awesome article, Keep up the good work, I know this will help a lot of people, if they will just listen to the good advice offered.
msLarayne from New York, NY on May 23, 2013:
Good hub! I'd say anyone joining a band for the first time should read this.
Mel Carriere from San Diego California on May 22, 2013:
Everyone dreams of being a musician, I think, which is why you are getting good traffic. All of us that sing in the shower had aspirations for stardom at some point, and many of us still do.
Steve Witschel (author) from New Orleans, LA on May 22, 2013:
Thank you Musician wife. I appreciate your feedback. First off, I'll say that I certainly have encountered situations where bartenders are rude, inattentive, and expect a big tip. I can't say that I've ever had to deal with bartenders that expect the musicians to tip more than the regular customers. That's just absurd. While I understand why you wouldn't attend that bar, after playing for 30 years in hundreds of clubs all over the country, I'd say that your situation is rare. Bartenders definitely act entitled sometimes, but so do musicians. I'm not encouraging bartenders to feel superior at all, but rather, suggesting that we are all equal, as we are all working together towards the same goal...which is to make money working in a bar/club situation.
Musician wife on May 22, 2013:
As the wife of a musician, I thought your article made many valid points, except for the tipping of bartenders. My husband plays at the same bar four nights a week, his bartenders treat the musicians like crap if they are not willing to tip $5+ PER drink. If a band or musician is playing in the bar, the bartenders should be thankful that people are in the bar enjoying the show which in turn puts money I the bartenders pocket through those customers drink purchases. If you put it in perspective a CEO does not tip his assistant for getting him coffee so why should a musician have to tip better then a regular customer when getting a drink? I do not even go see my husband play anymore because I refuse to feel obligated to over tip the bartender. People like you are encouraging the bartenders to feel superior to musicians when in reality, most semi intelligent people can learn to be a bartend (coming from a bartender) whereas it takes talent to be a professional musician.
Seamus Dunne on May 21, 2013:
I found this a very down to earth article.
As a musician you have to think like a good salesman.You have got to sell your self if you want to succeed.
I am a one man musician.I will turn up one hour early for the gigg. Set up my gear and be ready to start on time.
I will have a chat with the staff before I start,this can be to your advantage .If your sound is too loud or too low they will be the first to tell you.If they like you they will always like to help you out.
I always change my cloths when I have finished setting up.Nothing looks as bad has to see sweaty shirts and crumbled clothing.
This will help to create a good impression and get the crowd on your side.
After the show I always ask the audience to do me one big favor. I ask them to give themselves a clap for making it an enjoyable night for me.
Vando on May 21, 2013:
Nailed it, Steve.
Steve Witschel (author) from New Orleans, LA on May 21, 2013:
Good stuff Joey. Glad to see that we're on the same page. Please feel free to throw a link in your blog to this article if you like. Thanks!
Joey Arminio on May 21, 2013:
I love your article, please read mine as well I am a performing musician/entertainer/producer and teacher of this business of music. I write a blog for The Verona Patch, I find my article on Professionalism to coincide with your article. Thanks for helping.
Steve Witschel (author) from New Orleans, LA on May 21, 2013:
Thank you Karen!
Karen Hellier from Georgia on May 21, 2013:
This was a very interesting hub even though I am not a musician. I always wondered what it was like for a musician to play a gig, and you have described it beautifully. So not only must you be a talented musician in a band that works professionally, but a very good writer as well. Congratulations on both counts. Voted up, interesting and awesome!