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Film Review - The Big Country (1958)

In a series of illustrated articles, the author gives personal easy-to-read reviews of some of the most watchable films in Hollywood history



'The Big Country' is a Western, made in 1958 and directed by the respected William Wyler. It stars the top notch cast list of Gregory Peck, Charlton Heston, Jean Simmons, Caroll Baker, Chuck Connors, and Burl Ives. Even though it is a Western, this film is really a quite savage indictment of the cliched Wild West philosophy of men who believe it is right to live by the gun and settle disputes in a terminal way. My opinion is that the cast of this film is excellent, several characters are exceptional, the script is thought provoking, the dialogue is first rate, and the musical score is one of the best in movie history. A great movie.


There is a minor plot spoiler on this page, which indicates whether a particular character survives the film. This paragraph is in bold type, and will be labelled as a plot spoiler.


All of my film reviews can be accessed at the following page

  • 100 of the Greatest Movies in History - A Greensleeves Page
    What makes a great film? Everyone will have their own views, but perhaps the only defining quality is quality itself. This, however, is my list of 100 of the greatest films ever made. The list also includes links to all my film reviews.


Refined Eastern gentleman Jim McKay travels to the wild, untamed West to meet up with and marry his sweetheart and fiancée Pat Terrill. From the minute he steps out of the stagecoach on arrival in the 'town' of San Rafael, he seems a fish out of water, elegantly dressed as he is with a grey bowler hat on his head. But that doesn't worry McKay; just so long as he can be with Pat, with whom he's planning a new, loving, and peaceful life. However he very soon comes to realise that a peaceful life is not to be; he's been pitched into the middle of a bloody feud between two local families - and specifically the two old patriarchs of these families - and the pressure is quickly put upon McKay to take sides.

One family is the Terrills, the family of McKay's fiancée, where everyone is under the thumb of affluent Major Henry Terrill, Pat's father. He owns the ranch where Jim is staying as a guest. The other family is a bunch of roughnecks led by Rufus Hannassey. He owns a ramshackle ranch some distance away. On the face of it, there is no contest; Major Terrill seems very civilised and respectable, living in finery and with servants, whereas the Hannasseys are described as a 'pest' and a 'plague', and Rufus is labelled as 'something out of the Stone Age'.

But McKay quickly appreciates that the Terrills are in reality no better than their Hannassey antagonists. Jim is expected to back up the Major, but he steadfastly refuses to align himself with the Terrills simply because of his relationship with the Major's daughter. He takes a principled stand in the middle. It seems no one can understand his position, least of all his fiancée, and tension soon begins to mount between McKay and Pat, the Major, and the Terrill ranch foreman Steve Leech.

Eventually McKay finds a friend in Julie Maragon, a local school teacher, and the only other person who has not taken sides in this dispute. Julie owns a small plot of land with a bountiful watering hole called the Big Muddy which both the Terrills and Hannasseys are eager to get their hands on. During the film, a bond develops between Jim McKay and Julie, as disaffection escalates with Pat. All the while, McKay struggles to keep to his principles, whilst keeping the peace between the two feuding families. But deep-rooted grievances are difficult to banish, and it seems inevitable that the two old patriarchs will have their day of violence.




Gregory Peck 

Jim McKay 

Jean Simmons

Julie Maragon 

Caroll Baker 

Pat Terrill 

Charles Bickford

Major Henry Terrill

Charlton Heston

Steve Leech

Burl Ives

Rufus Hannassey

Chuck Connors

Buck Hannassey

Alfonso Bedoya

Ramon Guiteras

Chuck Hayward

Rafe Hannassey

Buff Brady

Dude Hannassey


DIRECTOR : William Wyler


  • Donald Hamilton (novel)
  • Jessamyn West (adaptation)
  • Robert Wyler, James R Webb, Sy Bartlett (screenplay).


RUNNING TIME : 165 minutes

Scroll to Continue

GENRE : Western

GUIDENCE : Suitable for family viewing


  • Burl Ives (Best Supporting Actor)


  • Jerome Moross (Best Music)
Burl Ives is clan boss Rufus Hannessey. Ives deservedly won an Oscar for this role

Burl Ives is clan boss Rufus Hannessey. Ives deservedly won an Oscar for this role


The three children amused by McKay on his first arrival in San Rafael, are Gregory Peck's own real-life children, Jonathan, Carey Paul, and Stephen.

There is an early appearance by Roddy McDowell in a tiny bit-part as one of the Hannassey look-outs.

Charlton Heston initially wanted to turn down the role of Steve Leech because it wasn't a big enough part. He was persuaded it would be good for his career to appear alongside Gregory Peck (one of the biggest stars of the age) under the direction of William Wyler (the legendary director). A year later Heston got his reward; Wyler cast him as the lead in 'Ben-Hur', and Heston won an Oscar.

Jean Simmons plays Julie Maragon

Jean Simmons plays Julie Maragon


Too many films in the 1950s suffered from too many stereotypical cliches, and a degree of overacting, and The Big Country is no exception. The antics of Buck Hannessey (Rufus's son) and his cronies in particular is just rowdy cowboy stuff, overplayed, and rather unconvincing. Maybe it's done deliberately so as to emphasise the ridiculousness of their attitudes and behaviour. But that's the only criticism. Everything else is perfect.


The central character - central in all senses of the word - is Jim McKay, played by Gregory Peck, in the kind of role that only he, or possibly James Stewart, could play. McKay is upright, moral, decent. He shys away from bigotry, hatred and violence. But we all know that when a stand has to be taken, McKay will step up to the mark.

Caroll Baker plays the spoilt, daddy-doting Pat Terill who's much more concerned with image than with substance, and Jean Simmons is very watchable indeed as attractive Julie Maragon. Charles Bickford is well cast as the vindictive Major.

But the Oscar winner in this film - and deservedly so - was Burl Ives. Ives plays Rufus, head of the Hannassey clan. Before we ever even get to meet Rufus, we've heard all about him from the Terrill point of view, so we know what to expect. True to form his first appearance is uncouth, belligerent and rude. But we learn later that Rufus is actually a man of some honour, and even some respect for decent values. Sadly, he is also a man, like the Major, too bound up in his anger and his bitterness to see things objectively. But it's Burl Ives himself, rather than the character he plays, who makes this role special. He commands all the attention every time he steps in front of the camera.

One further performance deserves mention. I believe Steve Leech, as played by Charlton Heston, is one of the most intriguing of characters. A special feature will be devoted to Leech, and how his character and personality develops through the movie.

Charlton Heston plays Steve Leech - ranch foreman at the Terrills' and the most interesting character in the movie

Charlton Heston plays Steve Leech - ranch foreman at the Terrills' and the most interesting character in the movie


Charlton Heston was a rising star at the time this movie was made. His performance as Steve Leech is not the key performance (Gregory Peck) or the best (Burl Ives), but without doubt it is the most interesting. At first glance Leech is just the Terrill counterpart to Buck Hannassey - the right hand man to the ranch boss, the young gun who does the dirty jobs in support of the ranch. But Steve Leech is a far more complex person than Buck.

He's full of resentment for Jim McKay, because he harbours secret feelings for Pat Terrill himself, and he sees McKay as an interloper who's stolen his girl. He's also bought into the whole violent Western lifestyle from a young age, and he despises McKay's genteel attitude. His biggest failing however, is the adoration in which he holds Major Terrill. It's not really his fault. He's been at the ranch since arriving as a 14 year boy with nothing but the clothes he was dressed in. The Major had taken him under his wing, and he has since always regarded the Major as a father figure, unquestioning in his loyalty to him.

Quite early on, we do see a little glimmer of hope for Leech, when he momentarily queries the necessity for destroying the Hannessy's water supply during a raid on the rival ranch. At this stage, however, it's only the most token of resistances.

It takes a fist fight for Jim McKay to finally earn Leech's respect. This is such an important event in the film, it will be described under 'favourite scenes'. Soon after the fight, Leech is given orders to run some of the Hannasseys' cattle away from the Big Muddy waterhole. Having done so, he confronts his deadly enemy Buck Hannessey with the cruel advice:

'You just run on back home and tell your daddy he's watered his last steer in the Big Muddy.'

Buck trumps this with a jibe which really hits home:

'And you run on back home and shine up the Major's boots!'

Leech's discomfort at this taunt shows that he is now beginning to feel very uneasy about his blind, unquestioning, poodle-like following of the Major.




Towards the end of the movie, Leech finds himself on bended knee before the Major. In the context of the movie, this is purely coincidental and the moment only lasts a few seconds, but I'm sure the sequence must have been intentional on the director's part - implying as it does an almost deciple-like reverence towards the Major.

But Steve Leech is changing, and there now follows an exchange which demonstrates just how much he is changing. Terrill is determined to wage final war on the Hannasseys, but his foreman recognises that this is sheer folly, not least because Jim McKay at that very moment is trying to broker a peace. Probably for the first time in his life Steve Leech stands up to his boss. And Major Terrill is taken aback by his reluctance to fight;

'If it was anybody but you, I'd think you were scared.'

Leech replies, 'I'd walk into Hell after you Major, you know that. Not much you could ask I wouldn't try to do. I just don't hold with you on this. I just can't do it Major; I can't!'

'By damn, you are yellow!' says Major Terrill.

Leech's response to this is extremely telling. We've already established during the film in comments by both Leech and Pat, that to be called a coward is the ultimate insult in this society. Anybody calling Leech a coward would ordinarily receive a swift and violent response. But Leech has learned from McKay. He has begun to turn the other cheek.

'You call me whatever you want, but I'm not beatin' up any more men for you. I'm not running off any more cattle or shootin' any more Hannasseys for you. You ride on in if you want to. I'm finished.'

Such words would have been unthinkable only a few days before, when he would have obeyed Major Terrill's orders without question. Now he is thinking for himself and looking for peace.The response of the other ranch hands is equally telling. When Major Terrill orders them to mount up, they stay put. The ranch hands are demonstrating that their loyalty has shifted away from Terrill, and towards their foreman. They follow him now - acknowledging the senselessness of this feud.

So Leech contemplates the ultimate act of defiance against his adopted father, and Major Terrill rides off alone to face Rufus Hannassey in battle. But when it comes to the crunch, a lifetime of loyalty wins through. Steve Leech has to try one more time to look after the Major, even though he now knows he is in the wrong.

(Plot Spoiler). Early on in the film, the Major describes Steve Leech as 'a fine foreman'. Later, Julie Maragon tells McKay that above all else he's going to need 'a good foreman' if he is to run a ranch of his own, as he plans to do. I'd like to think that there's an intentional link here. I'd like to think that Leech, who survives the film, is rehabilitated when freed from the venomously bad influences of the Major, and will eventually come to work as McKay's right hand man.

Chuck Connors as Buck Hannassey, confronts Jim McKay and Pat Terrill (Caroll Baker)

Chuck Connors as Buck Hannassey, confronts Jim McKay and Pat Terrill (Caroll Baker)


Just about every line that Burl Ives delivers as Rufus Hannassey is memorable, beautifully crafted and perfectly delivered.

But the most important quotes in this film serve to emphasise the difference between the civilised values of Jim McKay, and those of the society he has entered.

In one scene Pat Terrill confronts her fiancée over his apparent inability to act like a man is supposed to act:

'Don't you care what people think?'

McKay: 'No, I'm not responsible for what people think. Only for what I am.'

'Don't you care what I think? Do you like to have people think of you as a .... (pause)'

McKay finishes the sentence for her: 'A coward. Why don't you say it? Are you afraid of the word? I'm not. And I'm not gonna spend the rest of my life demonstrating how brave I am.'

Supposed cowardice is a strong theme throughout. In another scene, Pat Terrill complains to Julie Maragon:

'If he loved me, why would he let me think he's a coward?'

The exasperated Julie replies;

'If you love him, why would you think it?'

But my favourite line of all, which sums up the whole anti-aggression theme of the movie, comes at the end of the great fist fight between Jim McKay and Leech, already referred to elsewhere. Both men are bloodied, bruised and tired. McKay turns to Leech and delivers the priceless line;

'Now tell me Leech - what did we prove?'

The unspoken answer is 'absolutely nothing', and I think It is the moment when Leech begins to question his own values.


The first appearance of Rufus is one of the great entrance scenes in the history of the movies. There is a glitzy Western ball in progress, with all the guests dressed in their finery, walzing round the room. In through the french doors walks Burl Ives as Hannassey patriarch Rufus. First we just see the back of his head. The room descends into silence. Then we see his face. Rufus is a bear of a man, grizzled, shabby and simmering with rage, but he makes the points he wants to make with defiance and boldness. There is some dignity in his words. Rufus's gatecrashing of the party is beautifully scripted and brilliantly played.

There is humour in this film, mostly at McKay's expense. Early on, Steve Leech tries to humiliate him by getting him to ride a bad tempered old stallion called Old Thunder in front of all the ranch hands. McKay senses the game being played and refuses, However, McKay does want to test himself, so when there are no spectators, he returns to the corral with just one of the hands, Ramon, and saddles up Old Thunder. The result is a very enjoyable little sequence involving a battle of wills, and several spills as McKay attempts to master the horse.

Leech has been itching for a fight with McKay throughout the movie. But he wants a fight in front of everyone, so he can show off his toughness to Pat Terrill. McKay refuses to play ball until his relationship with Pat is all but over. Then the fight will take place on his terms, alone, unwitnessed, at dawn. The sequence is a masterpiece of cinematography - shot mainly with the protagonists as two very small figures dwarfed by the panoramic backdrop of the 'big country'. It's also perhaps the most important sequence in the movie because it's the one which highlights best the pointlessness of resolving issues with violence. At the end of it McKay turns to Leech and delivers the key quote of the film (see opposite).



Even the title of this film is a dig at the Wild Western pomposity. Everybody keeps telling McKay that this land is a 'big country' as though being big is something to boast about - a line which McKay nicely deflates at the welcoming ball, held in his honour.

'Did you ever see anything so big?' asks one ranch owner proudly.

'Well yes,' says McKay, a former sea captain, clearly unimpressed.

'You have? What?' asks the puzzled rancher.

'A couple of oceans.'

The bamboozlement of the rancher who simply cannot comprehend McKay's lack of awe is priceless.


Gregory Peck's McKay is the kind of hero we should all aspire to be, given the chance. Not a brash, bold hero like a Steven Seagal or Sylvester Stallone, nor even a quietly determined hero. Rather he is the unassuming, mild-mannered man who refuses to show off his courage. (But we all know that when push comes to shove, he'll prove himself to be twice the man that the testosterone induced posturers are).

This is a film about conflict. Conflict between the Hannesseys and the Terrills, between Rufus and the Major, between their right hand men, Buck Hannassey and Steve Leech, and between Pat Terrill and Julie Maragon who unintentionally becomes her rival in love. And in the middle of this is Jim McKay trying to keep the peace, and trying to keep to his principles of non-violence. The film is also about the conflict between the civilised values of McKay and the values of the lawless West. These are great movie themes.

This is an anti-Western. The biting theme of this movie is that Wild West values are stupid values, in which people settle disputes with guns, when a little dialogue and reason would resolve them just as well; but in this world, dialogue and reason are almost seen as bywords for cowardice.

One last facet must be mentioned - the music. Jerome Moross's score is justifiably regarded as one of the all time great movie scores. The addition of this stirring music, emotionally seems to expand the countryside into an endlessly big vista, and provides a perfect backdrop to the tempestuous lives of the characters who live here.



The Big Country is a special Western, with a great cast, and a great script and dialogue. I wouldn't necessarily suggest it is the cleverest film ever made, or the best acted (Burl Ives apart), but I would suggest that the combination of good old-fashioned entertainment and action coupled with a powerful moral theme, makes this a special movie. Everyone's opinion is personal, but my opinion is that this movie is the best ever made.




  • The Quick and the Dead (1995)
    The Quick and the Dead is a Western in which 16 of the fastest guns around shoot it out in organised duels until one is left. There's no prize for second place


Greensleeves Hubs (author) from Essex, UK on May 10, 2015:

AlecWest; Thanks for your further comments. As you'll be aware, I totally agree with your point about guns and bravado. Jim McKay displays his own special kind of bravery - having the self-confidence to believe in himself, and being prepared to stand alone against the prevailing attitudes of the people who have welcomed him into this community, like Pat Terrill and her father.

I have indeed got the DVD and I've just watched the opening sequence in response to your suggestion. The cowboy on the horse does indeed turn to look round several times - six I counted. Charitably, the first couple of times could be because he was a local guy wondering who the new stranger in town with his arms around Pat Terrill was. But six times? Including when he's about 100m away? I suspect you're right - he wanted to watch the action and get his face on screen!

Best wishes from Alun - or Alan - I'll answer to anything :)

J Alec West from Vader, WA, USA on May 09, 2015:

One more P.S. Sorry for misspelling your name as "Alan" (not Alun). A lot of people misspell my first name as Alex - when it's Alec. So, I should have known better and kept my eyes open (grin).

J Alec West from Vader, WA, USA on May 09, 2015:

Just a brief P.S. My favorite line in the movie came from Ramon. When Julie tricked him into admitting that Jim had ridden Old Thunder, and after his enthusiastic description of the event, Ramon got a very stoic look on his face and said, "Such a man is very rare."

For me, that set the tone for the rest of the film ... that guns and macho bravado were not signs of maturity ... that instead, it was based on self-confidence and being true to one's nature. Jim McKay became the poster-boy of true "manhood." It also proved that Ramon was a deep-thinker.

J Alec West from Vader, WA, USA on May 09, 2015:


Thanks for your comments. Yes, I believe that Steve Leech and Jim McKay became friends just after their midnight fight ... but that Steve didn't realize it until the Major made that comment about Jim being afraid to fight Steve - and later defended Jim's decision to ride into Blanco Canyon (asking the Major not to shoot him, "Let the Hannaseys do it.")

In any case, with the Major dead, I don't think either Steve or Jim would want Ladder to flounder under Pat's ownership. Maintaining the status-quo would have been in everybody's interest. And after his experiences, Steve would be a far wiser foreman.

BTW, if you have the DVD handy, pop it into your player and watch one scene in the film - just for fun (grin). The scene is near the beginning of the film. Steve takes Jim over to Julie's house to meet Pat. But during all their conversations while all 3 are outside the house, look instead at the cowpoke riding by. He turns his head around at least 4 or 5 times. Hehe, I've always thought this was probably a starstruck "extra" who couldn't resist gawking at Heston, Peck, and Carroll Baker.

Greensleeves Hubs (author) from Essex, UK on May 09, 2015:

AlecWest; Thanks! I like your speculations, and you may be right about Ramon. Though I'd still hope that those first signs of respect between Steve Leech and Jim McKay would continue to grow.

I can also agree about Pat. Wouldn't want to be her husband though! :)

As for the future of the 'Big Muddy', yes - conflicts abounded in the Old West, and no doubt poor Jim MacKay would have found himself once again trying to keep the peace between rival factions of various kinds, albeit now with Julie to provide moral support! Cheers for your comment, Alun

J Alec West from Vader, WA, USA on May 09, 2015:

I've always wondered what would happen "after" the film's actions. And I'd love to see a sequel cover those things.

I imagine that Steve Leech would continue as foreman of Ladder Ranch. Pat would find herself another beau - probably a "hanger-on" who would behave just as she wanted a beau to behave.

The last scene in the film shows Jim, Julie, and Ramon riding off into the sunset. To me, that indicated Jim planned on making Ramon his foreman at Big Muddy. Ramon was very familiar with ranching. And Julie previously mentioned that Ramon used to work at Big Muddy. Of course, there would be wedding bells in Jim's and Julie's future.

In any case, a future sequel could have its own excitement. The "free range" cattle barons (the Terrells, Hannaseys, and now McKays), over time, were forced to compartmentalized their operations as more settlers came west ... including prospectors, farmers, and (ulp) sheep ranchers. While unheard of before, "fences" were becoming the norm - with property lines more precisely drawn. And the military was reorganizing water rights to accommodate all of them. Lots of room for action in that scenario.

Greensleeves Hubs (author) from Essex, UK on September 07, 2014:

Adventuretravels; This is still my favourite film of all time for the combination of great characters, great dialogue, a great and moral theme and all-action sequences, together with the scenery and that wonderful music you mention. It's an easy and uncomplicated watch, but with a serious message as well.

I very much appreciate your visits Giovanna. Thanks very much. Alun

Giovanna from UK on September 06, 2014:

I absolutely adore this film it's a masterpiece! Believe it or not my son sat and watched twice in absolute awe when he was only 6 years old. He loved the music and the scenery so much! Great Hubs thanks!

Greensleeves Hubs (author) from Essex, UK on April 13, 2013:

Thanks gnordt. Very much agree. Subtle little glances, expressions and exchanges, which may not be picked up on first viewing can really allow a great movie to grow in its appeal with successive viewings. Glad you still like it - I too saw it again recently - I could easily watch it more than once every year without becoming tired of it. Alun.

gnordt on April 05, 2013:

I watched this movie again a couple of days ago. It is such a good movie. Well scripted, well acted, well directed. The first time I saw it, Burl Ives' performance really stood out, but with each successive watching I realize how good Heston was in his part (really, the entire cast did a good job). I also like the scene where Heston and Peck are about to have their famous fight, and Heston, who fully expects to beat the tar out of Peck tells Peck "You're even a bigger fool than I thought you were, and to tell you the truth, I just didn't think that was possible." Just a great movie all the way around. This is one of those movies where even glances and facial expressions between the actors can say more than dialogue could.

Greensleeves Hubs (author) from Essex, UK on March 18, 2013:

Gnordt; Good to hear your appreciation of 'The Big Country', and so true - I would say that great action sequences can make a movie enjoyable, but great dialogue and acting really turn an enjoyable movie into a classic.

I also like that Caroll Baker scene in which she blows any last chance she has of marrying Jim, basically by not thinking before she speaks - a fault she exhibits throughout the movie.

It's nice to speculate about 'what happens next?' in the absence of a sequel, and particularly about what happens to Steve Leech in this film. I've always liked the saying 'one convert is worth half a dozen saints' and so I've always liked the idea of someone being rehabilitated so that he sees the light and becomes a better person. That's why I like the idea that maybe Leech becomes Jim McKay's right hand man. Perhaps though, your scenario is equally plausible. I do wonder whether even Leech would be able to put up with Pat's petulant behaviour, but I guess the incentive of running the Terrill Ranch would be a powerful inducement - nice if they could all live happily ever after! (though I don't think Pat would ever forgive Julie for 'stealing her man').

I much appreciate your visit and comment. Alun.

Gnordt on March 17, 2013:

The Big Country is my all time favorite western, and a great example of how crisp dialogue can be much more effective than action scenes in making a movie seem face paced. Heston's performance is also outstanding, though Burl Ives really does stand out. The other great scene is when Carroll Baker goes to see Peck in his hotel room after he calls off the engagment after he has begun realize how little character she has. Baker makes several comments that make it clear just how selfish and immature she is, then follows them up with the line "and then you call off our engagement, just like that?!" Her character is just clueless. Great movie from start to finish. I never thought about your concept of Heston going to work for Peck as foreman, which is interesting and intriguing. I always assumed Heston would marry Carroll Baker, end up effectively owning and running the Terrill Ranch, but that Heston would have gained enough respect for Peck that over time they would develop their own relationship. I am not sure how close they woulc become, but I could see them having each other's backs if future events necessitated it.

Greensleeves Hubs (author) from Essex, UK on September 09, 2012:

whowas; my deep thanks and appreciation for your visit and comment.

If you do indeed watch this movie, I hope you find it to be time well spent. You do have to get past the rowdy and unconvincing shoot-em-up style behaviour of Buck Hannassey and his cronies - deliberately exaggerated, I suspect, to illustrate the stereotypical macho way of life depicted in the old style Westerns. However, I hope that beyond that, the acting and the dialogue of Peck, Ives, Heston and others, and the great moral (yet not too heavy) theme of the script, strikes a chord with you as it does with me.

It remains my favourite film, albeit with strong competition, and it's great to be able to introduce it to others. Cheers. Alun.

whowas on September 08, 2012:

Great review, that. I am not as a rule a great fan of the western genre. That said, there are exceptional cases that have remained highly memorable cinematic experiences for me. This may be one of them.

I shall certainly look it up and watch it - especially as it stars Greg peck, who is a firm favorite of mine in any case. All stars of that calibre seem to have burned out these days.

Thanks for bringing this to my attention and for making it such an entertaining and informative read.

Greensleeves Hubs (author) from Essex, UK on December 04, 2011:

Thank you Derdriu. This remains currently my favourite film for the good acting, complex characterisations, and the moral messages about violence, personal integrity and self respect, and for the way Jim McKay stands up for his beliefs in the face of opposition from both friends and enemies, and even at the expense of his relationship with his fiancée.

I do like the Spaghetti Westerns, particularly 'For A Few Dollars More', though some of the dubbed dialogue grates a bit with me. Almost all Clint Eastwood Westerns (and detective movies) appeal to me especially 'The Outlaw Josie Wales'. He's certainly one of the most charismatic of performers.

Thanks Derdriu for the thoughtful comment.

Derdriu on December 04, 2011:

Alun: Westerns can be such a forum for a number of critical characterizations, philosophies and themes. Me too, I am impressed with this film: the realism and shenanigans of the characters remain long, long after the film ends. It is simply a complete package of human behavior, musical expression, and philosophical irony. Almost everybody puts forth a first-rate performance, but I agree with you about Burl Ives' stand-out interpretation as the cantankerous, grizzled, rough upstart who grows old but no less stubborn in his fight with The Major.

What do you think of spaghetti westerns and Clint Eastwood films?

Thank you for reviewing so expertly and sharing so generously.

Voted up, etc.,


Greensleeves Hubs (author) from Essex, UK on August 03, 2011:

Thanks to you FloraBreenRobison for your comments about the review, and all the extra information you provide, and thanks again also to Cogerson for referring my review to you.

FloraBreenRobison on August 03, 2011:

Thanks to Cogerson for telling me of this review. I own a DVD of this. Peck is my favourite actor of all time, and despite not being a fan of westerns or war films I have seen a lot of them for him. Peck was the producer of this film as well as actor. The film is magnificent. There are indeed a lot of deaths in this movie. Regarding the actors, I believe the only one who played a non bit-part who is still alive is Carrol Baker. Jean Simmons died last year. You are probably aware of the tragedy in Greg's life. Jonathon, his first born, committed suicide when he was 31 years old. Several things I won't go into were going wrong for him all at the same time. Peck talked about this in his one man show. Not long before he died, Peck finally became a grandfather when Cecilia had Harper-named after Harper Lee. Great review.

Greensleeves Hubs (author) from Essex, UK on August 03, 2011:

Thanks a lot Cogerson for visiting again, and for your appreciative comments. I haven't seen as many of Peck's movies as I should have, but I've almost always liked the type of character he excelled at playing, and I think perhaps I should make an effort to take in the films I haven't seen. You mention Charles Bickford, and I probably didn't give his fine performance quite as big a mention as I should have in this review; it's just that for me he's inevitably a little overshadowed by his counterpart Burl Ives, who gives a performance which is one of my all time favourite movie characterisations.

UltimateMovieRankings from Virginia on August 03, 2011:

Great hub Greensleeves...a couple of years ago...I got on a Gregory Peck movie kick....and I was watching as many as of his movies that I could find....two movies really stood out....this one and Keys to the Kingdom.

The Big Country has great roles everywhere in the movie. You provide great background on Heston and his part in the movie...and you are correct he more than got his reward for playing an important supporting role. I thought Bickford and Ives were awesome as two stubborn men who hate each other. And I agree with you about Peck in this movie.....his willingness to stick to his matter how Heston or Conners tried to provoke him....thanks for a great read...voted up and useful.

Greensleeves Hubs (author) from Essex, UK on July 03, 2011:

Thank you for the comments Steve. Glad you like it. Just briefly visited your site, but I see you're a bit of a movie buff yourself. I'll visit as soon as I can and take a proper look (I like your top 20 list though).

Steve Lensman from Manchester, England on July 02, 2011:

"All I can say, McKay, is you take a helluva long time to say good-bye."

One of my favourite westerns containing one of the greatest music scores in Hollywood history.

I watched it again on DVD a few weeks ago. I'm waiting for a blu-ray release here in the UK.

Appreciate the detailed review, excellent work.

Voted Up and Awesome.

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