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The Best Terrifying Film of All Time in the World

Ahamed has an MBA and worked in document control for years. He enjoys writing and has freelanced and blogged across the internet.

You might be scrolling through your streaming providers seeking the finest horror flicks to watch this Halloween now that the scary season is well begun. Broadband Choices, the self-proclaimed "mobile, TV, and interest specialists" in the UK are way ahead of you, having just released the results of their Science of Scare initiative, which intended to identify the scariest films ever produced.


They identified the most terrifying films of all time using heart rate monitors and a group of willing tributes. At least, that's what one very intriguing metric says. The band company used the concept that nothing raises your pulse rate up like a large dose of terror to do some frightening movie science. They sat 50 people in a room, hooked them up to heart rate monitors, and showed them some of the best-rated horror flicks of all time. culled from critics' lists and Reddit threads, then presented in 5.1 surround sound to amp up the chills.

To determine the ideal horror movie and crown the king of fright night, the 50-person panel "consumed nearly 120 hours of the top horror movies, while their heart rate monitors measured which flicks got their blood pounding the most." Daniel Clifford, the study's creator, went into greater detail on why the study was conducted. With more people than ever facing a Halloween at home, we produced our secret of scare research to help consumers identify the most scientifically scary films ever filmed, saving them time from browsing through thousands of titles on streaming platforms like Amazon, Netflix, and Shutter.

While the study's sample size was tiny, and scariness is genuinely in the eye of the beholder, the Science of Scare study's findings provide some amusing insight into some of cinema's most terrifying films. Continue to read, Of course, it's tough to say objectively, but I'll be counting down the finest horror movies of all time based on popular opinion today.

Roosemary's Baby (1968)


Roman Polanski's debut Hollywood film was an adaptation of Ira Levin's best-selling novel, and its success sparked a demon baby and satanic pregnancy movie craze that lasted until the 1970s. The film succeeds on multiple levels as a supernatural thriller, a psychological thriller about a paranoid pregnant woman who imagines herself at the center of a conspiracy, and as the pinnacle of marital betrayal, because the most despicable villain here is Shirley, the man who allows the devil to rape his wife in exchange for an acting role.

Jordan Peele has stated that Rosemary's Baby impacted his directorial debut, the Oscar-winning Get Out. The Quiet Place, John Krasinki's first horror film, is in the same boat. For her work as Mia Farrow's eccentric old neighbor, Ruth Gordon won the Academy Award for Best Supporting Actress. Farrow was nominated for a BAFTA, a British Academy Award, a Golden Globe, and a number of other honors

Between "The French Connection" and "Raiders of the Lost Ark," Rosemary's Baby was ranked third on the American Film Institute's list of the finest heart-pounding movies of 2001. Furthermore, the picture was a commercial triumph, grossing 10 times its budget in theatres. Rosemary's Baby is ranked first on our list because of its legendary place in horror film history.

Night Of The Living Dead (1968)


Night of the Living Dead, directed by George Romero and released 50 years ago on October 1st, 1968, is often referred to as a credo for modern horror films. The picture opens in a cemetery, with tributes to Vincent Price's 1950s B movies and Universal horror brothers Johny (Russell Strainer) and Barbara (Judith O'Day) arriving to place flowers on their father's grave, where they are attacked by a zombie.

Although audiences today accept zombies and undead characters, when Night of the Living Dead debuted in the 1960s, they were novel and truly terrifying. According to Amar Holland, a son of the BBC, the film represented a new dawn in horror filmmaking, effectively redefining the term zombie, despite the fact that the term zombie is never used in the film. The notion of zombies being reanimated flesh-eating cannibals was introduced in Romero's flick. The splatter film sub-genre was also born with Night of the Living Dead.

Prior to Romero's picture, horror has primarily consisted of rubber masks and costumes, cardboard sets, or enigmatic figures lurking in the shadows, according to one cinema historian. The horror cinema landscape has never been the same since.

The Texas Chainsaw Massacre (1974)


Tobe Hooper died recently at the age of 74, bringing behind a career of horror cinema innovation that began with his 1974 masterpiece, The Texas Chainsaw Massacre. The picture has a rawness to it that makes it immensely compelling now, thanks in part to his beginnings as a documentarian.

On a tight budget, Hooper was known for crafting extremely horrific pictures. The 1974 classic cost only $140,000 to make. Even when adjusted for inflation, this is less than a million dollars, implying that the director had very little to work with. Due to the restricted budget, Hooper was compelled to film for long hours seven days a week in order to complete the project as quickly as possible and save money on equipment rental. Hooper had trouble finding a distributor because of the film's violent content.

Hooper kept the amount of on-screen gore to a minimum in the hopes of obtaining a PG rating, but the Motion Picture Association of America rated the film R when it was released in October 1974. In reaction to complaints about the film's brutality, it was explicitly banned in various countries, and many theatres eventually stopped screening it. It was extremely profitable, generating about $30,000,000 million in the domestic box office equivalent as of 2019, with a total of roughly $158,000,000 million. It is credited with creating key features typical in the slasher genre, notably the use of power tools as murder weapons, after selling over 16,500,000 tickets in 1974.

The slaughter of victims and the characterization of the killer as a huge, hulking, faceless person, so a relatively nameless director from Austin, Texas, made one of the most influential and famous horror films of all time, propelling it to the top of our chart.

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Bride Of Frankenstein (1935)


A sequel to a hit film is almost a guarantee nowadays, but in 1931, when James Whales' Frankenstein was breaking box office records and establishing Universal Studios as a major power, the rules weren't so obvious. The studio had no idea how this soft-spoken British director had come up with such a fantastic, ground-breaking horror film in the first place, and he was clearly on a roll after his success with the Invisible Man and the ancient dark home.

As with the first film, Bride of Frankenstein, directed by James Whale and starring Boris Karloff as the monster, the company pretty much let him do whatever he wanted with the sequel. Elsa Lanchester plays both Mary Shelley and the creatures created at the end of the first film in the sequel. Henry Frankenstein is played by Colin Clive again, and Doctor Septimus Pretorius is played by Ernest Thesiger. The Bride of Frankenstein was censored by the Hays office throughout production and by local and national censorship boards after its release.

Joseph Breen, the Hays office's lead sensor, took issue with sections of speech in the original script that equated Henry Franjstein and his works to those of God. The picture was deemed crude and aggressive at the time, despite its current tameness. Bride of Frankenstein was a profitable film for Universal, with a 1943 report stating that the film had earned around $2,000,000 million, or $29,000,000 million in today's money.

As of 2019, the profit was at $950,000, or $13,800,000. Another film on our list is Bride of Frankenstein, which has influenced horror films and sequels.

The Shining (1980)


The Shining, a 1980 masterpiece by Stanley Kubrick, is based on the popular Stephen King novel. It follows Jack Torrance, played by Jack Nicholson, as he and his family at a secluded Colorado hotel sink into lunacy. The shunning was released as a mass-market film, unlike Kubrick's other films, which established audiences gradually through word-of-mouth. It will debut on Memorial Day in two US cities, then expand countrywide within a month.

The Shining got out to a poor start at the box office but gradually gained traction, performing well commercially over the summer of 1980 and generating a profit for Warner Brothers, despite conflicting reviews. Initially, the film received a major reconsideration from the audience over time, and it was welcomed into the canon of legendary horror films. The film was ranked 29th among the top 100 horror films by the American Film Institute in 2001, while Jack Torrance was awarded the 25th greatest villain on the AFIS 100 best heroes and villains list in 2003.

Johnny's comment was ranked 68th on AFI's 100 top movie lines list in 2005. It is now largely regarded as one of the greatest horror films of all time.

Silence Of The Lambs (1991)


The Silence of the Lambs was a huge critical and box office hit. It's a film with the most spectacular opening scene ever seen in modern cinema. With her sharp-faced intensity, FBI rookie Clarice Starling is dispatched to interview infamous incarcerated serial killer Dr. Hannibal Lecter in his glass cell, hoping to entice, persuade, or tease him into helping the agency track down another psychotic murderer, nicknamed Buffalo Bill, who is still at large. Charice is played brilliantly by Jodie Foster.

It was only the third film (the other two being One Flew Over the Cuckoo's Nest) to win Academy Awards in all five categories: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay. It was critically acclaimed upon release and became only the third film (the other two being One Flew Over the Cuckoo's Nest) to win all five categories. The Silence of the Lambs is largely acknowledged to be the first and only Best Picture winner that is commonly recognized to be a horror film, and it is only the third such film to be nominated in the category, following The Exorcist in 1973 and Jaws in 1975, putting it at the top of our list.

Alien (1979)


Ridley Scott directed the film in 1979. Alien was a critical and commercial triumph that spawned a slew of sequels. Toys and collectibles, video games, novels, crossovers with predator films, comics, and, of course, the toys and collectibles movie worked well by fusing elements of science fiction and horror into a story that was chilling not because of blood and gore but because of Ripley and the alien's deadly and highly suspenseful game of cat and mouse.

The appearance of the film was unusual, dark, and very different from anything that had ever been seen on screen, thanks to HR Giger's creation of the extraterrestrial. Nearly four decades later, the film still holds up and is as horrifying as it was when it was first released. It was critically acclaimed and financially successful, receiving the Academy Award for Best Visual Effects. Three Saturn awards, including best science fiction film, best director for Scott, and best-supporting actress for Veronica Cartwright, as well as numerous other nominations, have been consistently bestowed upon the film in the years since its release, and it is widely regarded as one of the greatest films of all time.

The Library of Congress designated Alien as culturally, historically, or aesthetically important in 2002, and it was chosen for preservation in the United States National Film Registry in 2008. The American Picture Institute named it the sixth-best science fiction film, and Entire Magazine named it the 33rd greatest film of all time. Alien is the most influential extraterrestrial film of all time, aside from probably War of the Worlds, and it has risen to the top of our list.

Jaws (1975)


Jaws is widely regarded as one of the most influential pictures ever made in the United States. It was the first summer blockbuster as we know it, establishing the business model of modern movies' wide distribution mixed with summer television advertisements almost entirely on its own.

In retrospect, that system appears apparent, but at the time, the fact that Jaws would become a blockbuster smash and propel Spielberg's young career into the stratosphere was revolutionary. Nobody could have imagined that it would become the template for modern blockbusters. At a time when audiences are drowning in large, noisy blockbuster films, it's important to remember that this one was a true work of art made for less than $9 million. Jaws went on to gross over $470 million worldwide, with a domestic take of 260 million dollars earning him the top slot at the box office in 1975.

The picture outperformed other high-profile hits like One Flew Over the Cuckoo's Nest and Dog Day Afternoon, which were all significant moneymakers but hardly blockbusters. Jaws were the first feature film ever to gross more than 235 million dollars in the United States. It is still in the top 100 all-time songs adjusted for inflation nearly half a century after its release. In terms of box office receipts, it is ranked seventh.

Psycho (1960)


With vivid glossy thrillers like Rear Window and North by Northwest, Alfred Hitchcock established himself as the maestro of suspense. But Psycho was a unique film, with frightening bursts of violence and seductive sexual explicitness that most moviegoers had never seen before. The stringent censorship limitations of the time were put to the test in Psycho.

As well as spectators, who were awakened to the box-office potential of violence and sex, conventional film producers followed suit, giving Hitchcock the biggest hit of his career. The 45-second shower murder in Psycho is arguably cinema's most memorable scene. In addition, the film is the first in American cinema history to include a flushing toilet, which was forbidden at the time. We also received the impression that Hitchcock chose black and white filming to avoid the redness of the blood, which was chocolate syrup. The process of lowering the movie's ratings breached taboos and pushed the limits.

It is now regarded as a revolutionary work that has changed the face of the cherished genre with its revolutionary perspective on suspense, earning it the number two position on our list.

The Exorcist (1973)


The Exorcist is often regarded as the scariest film of all time, despite its age. Some consider it to be one of the few prestige horror films. After winning an Oscar for the French connection, director William Friedkin chose to adapt William Peter Blatty's smash-hit novel of demonic possession for his next film, which came as a surprise.

There are numerous accounts of the director's unconventional methods, including shooting a gun at random to scare his actors, physically slapping them to induce reactions, and even chilling the set to make them uncomfortable and make their breath visible as vapor. Whatever it was that seized him, it worked; a gloomy tone dominates practically every picture. It was virtually a rite of passage to view it, as with any great horror picture. The Exorcist was particularly distinct from other horror films in that it centered the horror on the home, the family, and an innocent child played by Linda Blair, who never appeared to escape the film's shadow.

Legendary makeup artist Dick Smith, who not only produced the subtle possession prosthetics for Blair but also effectively aged Max von Sydow, who was only in his 40s at the time, is another essential figure in the film's success. The film went on to become the highest-grossing film of all time until Jaws surpassed it a year or two later.

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