Ara is a Journalism graduate from California State University Northridge who is always looking to explore his writing opportunities.
Reasons for Theatre of Tragedy's Evolution as a Band That Led to Creating Their Finest Album Aegis
Every band has a defining moment or musical peak as this writer calls it. Norwegian band Theatre of Tragedy reached this musical peak with their 1998 album called "Aegis". How did it get to this point for this band? Let's get this article started by saying that the band progressed and matured from a death and doom metal band and they turned themselves into a good dual vocal Gothic band similar to Italy's Lacuna Coil. In Lacuna Coil's case however, they began their career as a Gothic rock band and then they evolved into a more heavy rock band. Note: Liv Kristine is the shorter name of Liv Kristine Espanaes.
Aegis: "Cassandra" and "Lorelei"
I can notice that his accent sounds like someone from England. There is a sort of thundering sound in this first song that doesn’t literally sound like thunder but it is powerful in a musical sense.
Then comes the great mid-tempo Gothic rock style song Lorelei. There is a vocal part in which Raymond and Liv Kristine go back and forth which is not only a good contrast vocally but it shows Liv Kristine can be soothing and gentle. Her best vocal part in the song is when she says: “a poet of tragedies, yet who the hell was I to dare?” Her vocals are not as powerful as Kari Rueslatten but they may be more soothing and somewhat operatic.
The Songs Angelique and Aoede
Angelique continues in the tradition of soft, slower, atmospheric Theatre of Tragedy. Without the death metal growls, it may be a little easier for some of you to understand Raymond’s vocals. I also can hear somewhat of a Paradise Lost influence in this song. The lyrics of the songs on Aegis are still in the old English style. The next song called Aoede has Raymond doing the vocals as he chants “come see as the wind.” The song called Venus starts with the piano playing. The lyrics for this song are mostly in Latin. The song describes someone that was thought to be a friend that would send a disciple from Heaven.
The album Aegis comes to a brilliant finish with songs like Poppaea & Bacchante
Poppaea has the most powerful singing by Liv Kristine and that’s one of the reasons that I enjoyed this song in 1998 and I especially enjoy it now in 2019. Her two strongest lines are when she sings: “stay my adamant, suffer me to transfix thee.” And the last song Bacchante has Raymond doing a nice chant of the word celebration. Theatre of Tragedy should celebrate Aegis as their strongest release and they should be proud of their work through the 5 year period between 1993 and 1998. Poppaea is one of those songs that slowly builds up into a great Gothic metal kind of song that is still strong in 2019 as we head into 2020.
Special Comment About the Album Aegis
Note: it has been 20 years since the release of Aegis and I just happen to be revising this review at a time when life is starting to blossom for me! Thanks to this vast Universe for blessing me with the talents of the written word which I can then use to entertain people around the world!
Final score: 98 out of 100 points
Favorite song on Aegis
Rate Theatre of Tragedy's 3rd album Aegis
© 2017 Ara Vahanian