Updated date:

Oct 7, 2018

How to Play the Pentatonic Scale on Guitar • Five Patterns, Solos, Melodies, Video Guitar Lessons

Author:: Lorne Hemmerling

The Five Box Patterns

blues-basics-the-mighty-pentatonic-scale

Theory

The Pentatonic scale is simply a Major scale with 2 notes missing. These 2 notes are the 4th and 7th degrees (the two half-steps) of the Major scale.

Because the 4th and 7th degrees are commonly used as passing tones, omitting these notes makes the Major scale more adaptable. The Pentatonic scale simply sounds better over many chord progressions.
C Major	C Major Pentatonic
1 2 3 4 5 6 7 8	1 2 3 5 6 8
C D E F G A B C	C D E G A C

C Major - Am to C Major - Am Pentatonic Scale Comparison

The Pentatonic Scale verses the Major Scale

For each question, choose the best answer. The answer key is below.

Is there less notes in the Major scale, compared to the Pentatonic?
- Yes
- No
How many notes comprise the Major Scale?
- 4
- 8
- 7
How many notes comprise the Pentatonic Scale?
- 6
- 5
- 9
What is one of the two intervals missing from the Major scale, to form the Pentatonic scale?
- 3rd
- 2nd
- 7th
- 5th
What is the other interval, that is missing from the Major scale?
- 3rd
- 4th
- 6th
- 2nd
What is the relative minor Pentatonic scale to C Major Pentatonic??
- Gm
- Dm
- Bm
- Am

Answer Key

The Major Pentatonic scale has a sweet sound,while the Minor Pentatonic scale has a darker, bluesy sound, but the fingering patterns for both scales are exactly the same. Therefore, when you learn a Major Pentatonic scale, you are also learning a Minor Pentatonic scale. The Pentatonic scale is usually the first scale that guitar players learn for improvisation purposes. Many rock and classic rock guitarists use the Pentatonic scale exclusively.

The Box Patterns

Here are the five box patterns of the G Major - E minor Pentatonic scale. The five note G Major Pentatonic is spelled: G A B D E (octave G). The five note E minor Pentatonic scale is spelled: E G A B D (octave E). The name 'box patterns' comes from their rectangle shape. When playing these patterns, try not to shift your hand. Stretch the fingers to cover the four frets. With the proper hand position, this will become easier. Place your thumb in the middle of your fret hand at the back of the neck, and keep your thumb down.

Box Pattern 1

Scale spelling: E G A B D E G A B D E G

This is most played of all the box patterns. This pattern starts on root E and has a mean, dark minor sound, perfect for blues, rock and any other genre. For most guitarists, this is the home base scale when improvising. Watch any player, and you will see them working in this pattern more than any other. Many standard licks come from this box. The king daddy of all box patterns!

Jimi's solo is based in Em Pentatonic at the 12th fret.

Box Pattern 2

Scale spelling: G A B D E G A B D E G A

This pattern starts on the second note of the first pattern, and is simply the same five notes repeated, in a different order. Even though these are the same notes as the first box, it has a sweet, happy sound, because of the different starting note (G). This position is the basis of country soloing. If you want to keep the fret hand fingers in one position, try this alternate fingering: 2 4 1 4 1 4 1 3 2 4 2 4.

This is the solo from The One I Love by REM. Based entirely in Em Pentatonic, it moves back and forth between box pattern 1 and 2. The chord movement lends a different sound to the scale in the first four measures, then returns to a more normal minor pentatonic sound for the last four measures. The chords being played under a melody line can alter the sound of the scale drastically. One of the magical properties of the chord-scale relationship!

The One I Love • Solo

Solo For The One I Love • REM

The Official Video

Box Pattern 3

Scale spelling: A B D E G A B D E G A B

This pattern starts on the second note of the second pattern. Many riffs come out of the first six notes, simply because they are so easy to play. You may have to shift your hand slightly to pick up the B on the third string, fourth fret.

Box Pattern 4

Scale spelling: B D E G A B D E G A B D

This pattern starts on the second note of the third pattern. If you want to keep the fret hand fingers in one position, try this alternate fingering: 1 4 1 4 1 3 1 3 2 4 1 4.

Box Pattern 5

Scale spelling: D E G A B D E G A B D E

The last pattern starts on the second note of the fourth pattern. It is very easy to visualize this scale. Once again, to keep the fret hand fingers in one position, try the alternate fingering: 2 4 2 4 1 4 1 4 2 4 2 4

Fingering

Heart Of Gold Melody

Heart Of Gold

Em Pentatonic Along The Fretboard

Once the box patterns have been mastered, try moving through the patterns along the fretboard. The fret hand fingers are written above the notes. When ascending this extended scale, the third finger is leading, that is, most of the shifts from pattern to pattern are performed with the third finger. When descending, the first finger is leading. This is a three octave scale. When playing in position, all of the scales are two octaves.