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Greatest Film Noir Netflix Amazon Prime
"Film noir" is a movie term for darker movies such as gangster films and crime dramas.
Noirmoutier is an island off the coast of France.
Fargo Noir has seasonally themed dark, indie or classic movies at Fargo Theatre in the winter: "The Shining" (1980) by Stanley Kubrick and "Fargo" (1996) by Joel and Ethan Cohen will be shown January 25th-31st; On February 8th-14th the 1967 French film "Two Weeks in September" by Serge Bourguignon will be screened; March 1st-7th brings Robert Rossen's 1962 American drama film "The Hustler".
Noir means "black" in French. The first film noirs were released in Paris right after World War 2.
Film noir should not be confused with a tv show which is named Noir.
A very talented actor who starred in many film noirs was Humphrey Bogart. He became famous for his role as a hard-boiled detective named Sam Spade in the 1941 movie, The Maltese Falcon . In this movie you can see what kind of movies film noir was all about! [ARTICLE END]
In conclusion, I hope you enjoyed learning new things from this article. If you have any questions, comments or concerns feel free to post a comment below. Have fun learning another language! -Austin Morgan
Noirmoutier is an island off the coast of France.
The first film noirs were released in Paris soon after World War 2. "Film noir" is a movie term for darker movies such as gangster films and crime dramas. Humphrey Bogart was a very talented actor who starred in many film noirs. He became famous for his role as a hard-boiled detective named Sam Spade in the 1941 movie, The Maltese Falcon . In this movie you can see what kind of movies film noir was all about!
- The Woman in the Window
- The Testament of Dr. Mabuse
- Pick up the South Street
- Kiss Me Deadly
- Scarlet Street
- The Roaring Twenties
- The Strangers
- The Public Enemy
- Dark Passage
- A Place in the Sun
- The Postman Always Rings Twice
- High Sierra
- In a Lonely Place
- Stray Dog
- The Petrified Forrest
- Elevator to the Gallows
- Mildred Pierce
- The Killers
- I am A Fugitive from the Chain Gang
- The Wrong Man
- The Lady From Shanghai
- The Big Heat
- Angels with Dirty Faces
- The Asphalt Jungle
- Ace in the Hole
- The Thin Man
- Key Largo
- Out of the Past
- Sweet Smell of Success
- White Heat
- The Big Sleep
- The Killing
- The Night of the Hunter
- The Touch of Evil
- Strangers on a Train
- The Maltese Falcon
- The Third Man
- Double Indemnity
- Sunset Blvd.
What is the best film noir?
What is the best film noir?
Answer: That, my friend, depends on what you're looking for. If you like dark and disturbing stories and bitter tragedy, then Double Indemnity (1944) and Laura (1944) will probably make your list. If you prefer your noir visually stylish and sleek, look to Big Sleep (1946), Out of the Past (1947), Touch of Evil (1958), or even Blade Runner (1982). The Maltese Falcon (1941) has all four elements in spades. The odd one out here might be Chinatown , which lacks much in the way of darkness despite its narrative's tragic core. But it does have all three other things I've mentioned... and it probably has more iconic film noirs images than any other one movie.
If you're looking for something a bit off the beaten path, I recommend two of my personal favorites: The Third Man (1949) and Night and the City (1950). Both have been cited as major influences on Martin Scorsese's Taxi Driver , which is perhaps the best evidence that they deserve to be considered among the most prominent films in this style/genre. All four definitely have their merits, but what this list shows me is how difficult it is to pick just ten out of all those amazing choices! If somebody made a top 100 or 500 list - maybe there'd be some obvious frontrunners by then...
For now, here are my top ten picks for the best film noir movies ever made.
#10. The Naked City (1948)
An interesting mix of police procedural and B-grade horror, this is one of director Jules Dassin's earliest American films (he'd return to Europe soon after). It has a fast pace with an emphasis on action, but there are enough dark elements to earn it a place on this list... not least of which is the fact that it was shot with expressionistic lighting by none other than John Alton ( Double Indemnity , T-Men ). A good deal of the movie might be considered pre-" Film Noir " in that it lacks certain visual markers like deep shadows, foggy streets, etc. - things that are definitely associated with the style now. That said, it's still a great movie that epitomizes many of the themes and ideas found in noir.
#9. The Asphalt Jungle (1950)
This is an early example of film noir shot by one of the very best cinematographers working at that time - John Alton, who'd done every film on this list except Chinatown . A good deal of that classic look is already here, complete with artful framing and powerful shadows... but there are some nice stylistic touches too, which makes sense since director John Huston was also bent on making things visually interesting even during dialogue scenes. I think most people would agree this is another one those essential "must-see" noirs even it's not always regarded as one of the very best.
#8. Strangers on a Train (1951)
This is an early example of Hitchcock employing some of the themes and tropes now associated with film noir - including his customary cameo in which he can be seen walking down a staircase near the beginning... another allusion to the staircases used so often by John Alton in his work for other directors! It was shot by Joseph Valentine who'd done Double Indemnity just three years earlier, effectively carrying over the style to one of Hitchcock's more stylish efforts. It's almost pure pulp fiction, but that didn't stop this movie from becoming one of Alfred Hitchcock Presents ' most popular episodes - perhaps
What makes a movie a film noir?
Film noir is a genre in motion picture films originating in the 1940s. The phrase "film noir," French for "black film," was first applied by a group of French critics who believed that certain American crime films, which they labeled as "crime passionel" ("crimes of passion"), had stylistic qualities that set them apart from conventional Hollywood gangster films. The term was then used to identify a new style of cinema that featured jagged camera angles and highly stylized shots through heavy use of shadows and light, often accompanied by hard-boiled plots, cynical themes, and occasionally seedy underworld settings or characters.
In 1944, French critic Nino Frank defined film noir as a "…new type of cinematographic sensibility," characterized by "…mystery, psychologism [sic], the nightmarish side of things, …doubles…" More generally, film noir is associated with crime, psychological thrillers and adventure films.
The origin of the term "film noir" goes back to 1941 when French critic Nino Frank asked an American colleague to evaluate a group of Hollywood B movies that were similar in style to recently released French movies. These low-budget suspense dramas had twisted plots with dark themes that contrasted with the typical Hollywood gangster film at the time. The colleague was French novelist André Gide who did not particularly enjoy these American films but deemed them worthy of artistic attention. He wrote about his new discovery in "Les
What does film noir literally mean?
Noir is a French word meaning "black." It's usually used to describe something that's moody or somehow shady.
The term was first applied to film by the French in the 1940s, and while it originally referred to style rather than content, it eventually came to refer specifically to crime dramas of a certain flavor. These stories are more often than not about killers, lovers, and thieves who get mixed up in dark business without any easy way out. A lot of noirs are also influential—either because they feature techniques that would go on to become common across all genres of filmmaking or simply because they were popular at the time.
When you say "film noir," you're talking about a basic type of genre film that's been around since the 1940s.
Noir means "black," but it came to be applied to a certain type of film in the '40s because they were usually dark-colored and had a shadowy look—in many cases because they were shot at night. However, even though noirs are often thought of as being primarily crime dramas, not all films within this specific genre actually fit into that larger category.
Film critics originally applied the term to these movies because they felt like they shared a common thread with the French novels known as hardboiled fiction , which themselves were inspired by screwball comedies from earlier in the century. These stories tend to revolve around private eyes and criminals whose complicated personal affairs get mixed
What is considered noir?
A scene from the film "Before Sunset," in which we see Julie Delpy's character walk down a Paris street at night. (Credit: Richard Linklater)
Many parents and teachers like to think that their kids are unique little snowflakes, one-of-a-kind bundles of personality traits who will grow up to be astronauts, cowboys or brain surgeons; however, when it comes to fiction and its readers, this simply isn't true. Sure, every bookworm has his or her own specific likes and dislikes—one person might adore period romance novels while another swoons over Star Wars tie-ins — but there are certain stories we can all agree fall under the banner of "genre fiction." For example: The majority of readers will agree that magical stories about young wizards attending boarding schools in England and fighting evil with the help of talking animals and silly sidekicks, such as J.K. Rowling's "Harry Potter" series or Philip Pullman's "His Dark Materials," are fantasy novels; likewise, we can all easily recognize a Western when we see one (or at least claim to). But what about noir? How is it different from mystery? Is this term reserved for hardboiled detective stories only , or will any novel with a dark tone qualify ?
And can you include horror fiction in your answer?
Marilyn Stasio: Most murder mysteries belong under the category of whodunit but some stand out and demand to be called noir. The great semiologist Roland Barthes once wrote a smart essay on "The Third Meaning," in which he argued that words have both a literal, concrete definition and a more evocative, abstract meaning. In French, for example, the word 'sérieux' means serious in the sense of earnest and heartfelt; in English we use it to mean stuffy and dull.
When you describe a movie or book as noir it carries a third meaning: an atmosphere of dread that's palpable in the street scenes and the people passing through them — sad sacks conned by fate into making one bad choice after another. More than mere suspense or mystery (the whodunit), these are about alienation and social breakdown .