Cast: Ehan Bhat, Edilsy Vargas, Manisha Koirala, Lisa Ray, Ranjit Barot, Rahul Ram
Director: Vishwesh Krishnamoorthy
Rating: 2.5 stars (out of 5)
Painterly frames, an artfully fragmented narrative structure, deliberate pacing, restrained acting and a lush musical score combine to give 99 Songs, based on a story written by A.R. Rahman, a distinctively elegant quality. Unfortunately, none of it seeps beneath the surface. Music cannot be seen, it can only to be felt, a character intones in the course of the film. The opposite is true of 99 Songs: what you see on the screen is oftentimes eye-popping but you barely feel the warmth, or depth, of the images that flow by without casting a lasting spell.
An over-reliance on fractured flashbacks and fevered recollections from multiple standpoints prevents the screenplay by director Vishwesh Krishnamoorthy from attaining either clarity or unhindered flow. 99 Songs, littered with befuddling interludes, isn't all music. With style overshadowing substance, the film works only in parts.
The two newcomers in the cast - Ehan Bhat and Edilsy Vargas - appear to be up to the task of carrying the film on their shoulders but the characters they are saddled with lack genuine meat. The premise is flimsy: a young pianist thwarted in love finds himself up against the challenge of making a whole load of music as a means to impressing the father of the mute girl he wants to marry.
Needless to say, there are obstacles in the man's way and he is pushed to the edge of despair. Somebody tells the protagonist, "Badi interesting kahaani hai tumhari." Nothing could be further from the truth - his really is a rather bland story sought to be livened up with the visual flourishes that cinematographers Tanay Satam and James Cowley add to the film.
There can be no denying though that 99 Songs has an interesting supporting cast - seasoned actresses Manisha Koirala and Lisa Ray on one hand and accomplished musicians Ranjit Barot and Rahul Ram on the other. Also in the mix are Ashwath Bhatt and Warina Hussain but none of them is given the leeway that could allow them to rise above a constricting script.
Given the manner in which the key characters are etched out, the audience is left to grapple with too many unanswered questions. Rahman's songs are salve for broken hearts, but they cannot paper over the whimsical leaps that the story makes as it wends its way towards a climax that errs on the side of the fanciful. 99 Songs culminates in a final act that is designed to demonstrate the (literally) earth-shattering power of music, which pulls into its ambit a corrupt, apparently hidebound politician of all people.
Ehan Bhat plays Jay, a young man whose father has ordered him to stay off music because it has destroyed the family; Edilsy Vargas is cast as Sophie Singhania, a wealthy entrepreneur's speech-impaired daughter who paints, designs and dances as a mean of unbridled self-expression. The two are madly in love. The girl's dad (Ranjit Barot) is in awe of the boy's talent all right. But he is dead against Sophie marrying "a struggling musician".
Go and compose a hundred songs and then come back and ask for my daughter's hand, says the cynical old man. A crestfallen Jay flinches for just a fleeting moment before dutifully deciding to prove his worth. He sets out to create 100 songs in search of that one ditty that will change the world.