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Goodbye Uncle Tom: A Horrifying Film on Slavery

Film Poster

Goodbye Uncle Tom (1971)

Goodbye Uncle Tom (1971)

Film Directors

Gualtiero Jacopetti

Gualtiero Jacopetti

Franco Prosperi

Franco Prosperi


Writing Credits


(in credits order)

  1. Gualtiero Jacopetti
  2. Franco Prosperi
  3. Cicely Browne
  4. Lewis E. Ciannelli
  5. Geoffrey Copleston
  6. Dick Gregory
  7. Ernest Kubler
  8. Anthony La Penna
  9. Gene Luotto
  10. Edward Mannix
  11. Richard McNamara
  12. Robert Sommer
  13. Robert Spafford
  14. Shelley Spurlock

Film Trailer

Film Synopsis

Two documentary filmmakers travel back in time to film the slave trade in the pre-Civil War American South.

Plot Summary

Goodbye Uncle Tom is an Italian MondoExploitation Film.

This film was released in 1971.

It is about the directors of the film time-travelling to the deep southern pre-Civil War American South.

There, they attempt to document every distressing, graphic and unbridled detail of the slavery lifestyle.

Some scandalous scenes that stood out in this film included:

  • the directors attending a social event where the guests threw their food scraps to half-naked Black children crammed underneath the dining table;
  • the slave training camp, which resembled a factory-line;
  • and the scientist that was looking to support his thesis of White people being inherently superior to Black people.

Be advised, this film is not a pleasant experience nor is it for the faint of heart.

This is a very controversial film; it has received many mixed reviews but the directors insisted that it has a clearly anti-racist message:


An All-Time Great Gut-Busting Flick!

— The Amsterdam News

Film Review

The Most Shocking Of The Series... Banned In Several Countries For Obvious Reasons!

— DVD Talk

Film Review

This Is It! The Most Offensive, Denigratory And All-In-All Unrelentingly Distasteful Film You Are Likely To Witness!

— Sex Gore Mutants

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The most specific and rabid incitement to race war.

— Pauline Kael

The most disgusting, contemptuous insult to decency ever to masquerade as a documentary.

— Roger Ebert

Series of Still Photographs in the Film


Film Review

This film took a shocking and bizarre look at slavery in America.

However, it was primarily shot in Haiti and hundreds of Haitian extras participated in the making of this film.

They were poverty-stricken and barely paid to be featured in various scenes depicting the cruel and inhumane treatment of slaves.

White actors were also featured as portraying historical characters in the film (e.g., Harriet Beecher Stowe).

On screen, the setting appeared to be in the deep South prior to the Civil War, where the directors, Jacopetti and Prosperi, are found travelling back in time aboard a helicopter to essentially create observational cinema on slavery as it was happening in the United States prior to abolition.

The dangerous and degrading process of which slaves were subjected to was hard to digest in the film.

It showed conflicting arguments and antiquated ideologies (e.g., the moral and spiritual necessity of slavery versus its economic impact and practicality).

It also illustrated contrasting thoughts on gender, education, and the issue of miscegenation.

The level of power and punishment in this film truly re-created an imposing sense of richness and offensiveness associated with the Old South.

The film's conclusion shows a modern-day, Black Panther-esque priest reading William Styron's The Confessions of Nat Turner and fantasizing about taking righteous vengeance on them that had oppressed his people for generations.

Understandably this film was controversial, given its nature, so much so that it received a very brief release in America, under the title Farewell Uncle Tom.

Farewell Uncle Tom Poster


Film: Music Score


Goodbye Uncle Tom is an extraordinarily well-made film yet very lengthy (e.g., 2 hours of extreme horror and violence).

It was rated X from the MPAA despite nearly 20 minutes of its original Italian running time being cut from the film.

The film was trimmed and the vengeance was cut out, which caused much more confusion and mixed reviews among film-goers.

The film was so difficult to sit through that it caused massive walk-outs and almost started riots among U.S. audiences.

It featured too many elements of slavery without catharsis, such as rape, torture, controlled breeding, whippings, castration, teeth pulling, family separation, etc.

I think the director's tried to inject some unapologetic originality into the “mondo” shockumentary genre (e.g., a satirist vibe) but that went awry because it was too inflammatory for America in 1971 with the Black Panthers still in full effect.

The film ended up being misinterpreted by Black America as a perpetuation of centuries of torment; meanwhile, it was misconstrued by conservatives as the nightmarish vision of the future many feared since the Civil Rights era (e.g., an uprising).

Many noteworthy scenes and elements of the film resulted in a lot of head-scratching for me.

For instance, the film is scored to the beautiful sounds of Riz Ortolani’s music, which seemed unusual.

The directors continued to make peculiar use of the music score throughout the film.

It was noticeable and poignant during many scenes, such as the upbeat marching band music played throughout the film, which one might draw a parallel to the slave owner's perception of viewing this film in theaters (e.g., in an cheery manner).

This film also had a dark sense of humor; the characters often engaged in twisted repartee.

Overall, the graphic portrayal of slave life in the Old South was so realistic in this film, that it is not hard to understand why it received such harsh criticisms from film-goers.

Often times the subject of slavery is approached with a modicum of sensitivity but this film took an extremely insensitive approach to portraying it.

Please Answer If You Have Already Seen This Film:


Goodbye Uncle Tom is a recommendable film despite its exploitative and offensive nature.

Although it makes an utter mockery of slavery and humiliates its actors in the process; this film dealt with The Transatlantic Slave Trade and the process of slavery more than any other.

All political correctness is out of the window with this film; it offends both progressives and racists, which is an awkward accomplishment for the directors.

I guarantee you will never forget it and that is reason enough to take a gander at this divisive cult classic.

For me, the cognitive dissonance at the heart of this film made it fascinating to view.

However, this is certainly not a film to be observed by children, anyone overly sensitive, or during Black History Month.

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junko on June 09, 2016:

The past helps to explain the present by filling in the blanks in the past history of American Negros. Thanks for you input.

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